The perennial appeal of Bach’s music has inspired many artists across genres to adapt and arrange his music. SalonEra’s Artists in Residence (including host Debra Nagy, keyboard maverick Eric Milnes, and viola da gambist Mélisande Corriveau) together with violinist Shelby Yamin, soprano Hannah De Priest, and special guest tenor Philippe Gagné pick up this trend as they turn violin sonatas into trios, trios into solos, imaginatively reconstruct new “Brandenburg” concertos, and even indulge in some Bach-inspired heavy metal.
Debra Nagy, host & executive producer
Shelby Yamin, associate producer
tenor
violin
soprano
viola da gamba
harpsichord & organ
Soon to be updated with links to related websites and recordings.
J.S. Bach BWV 1015-1016, arranged by Bruce Haynes: Trio Sonata for Oboe, violin and continuo
Dolce, Allegro
Bach, Organ Trio Sonata, BWV 527
Andante
Bach: Die Liebe zieht mit sanften Schritten from BWV 36
Bach: Die Schätzbarkeit from BWV 204
Bach: So schnell ein rauschend Wasser fließt from “Ach wie flüchtig, ach wie nichtig,” BWV 26
Courtesy L’Harmonie de Saisons
Bach: “Brandenburg Concerto no. 7” (A re-imagining by Bruce Haynes)
La Bande Montréal Baroque – Eric Milnes, Director
Performed live at the Festival Tage fur Alte Musik – Regensburg, Deutschland, 2019
METAL BACH BWV #4 : J. S. Bach: Christ lag in Todesbanden : Tenor Aria : 5 Cellphones in Isolation
SEASON UNDERWRITERS
Bob & Nancy Klein
Joe Sopko & Elizabeth Macintyre
Deborah Malamud & Neal Plotkin
Tom & Marilyn McLaughlin
David Porter & Margaret Poutasse
EPISODE SPONSORS
Marc Vincent & Alex Nalbach
Susan McClary
REMOTE ARTIST SPONSORS
Ross Duffin & Bev Simmons
Eric & Sue Kisch
Paula Mindes & George Gilliam
Jean Toombs
Daniel Williams
JoLynn Edwards
Sarah Steiner