Episode

SalonEra delves into the fascinating history of Venice’s Ospedali with bass-baritone/scholar Lisandro Abadie as our enthusiastic guide.

Enjoy performance clips and intriguing background information on Les Délices’ Winds of Change program.

Chamber music for flute, oboe, clarinet, bassoon, and horn by Mozart, Reicha, and Krommer reflect shifting aesthetic values, experimental technologies, and newfound virtuosity.

In this special re-broadcast from SalonEra Season 2, Ottoman music enthusiast and multi-instrumentalist Daphna Mor guest curates an exploration of musical connections between east and west.

Enjoy performance clips and intriguing background information on Les Délices’ Rejoice: Bach Cantatas for Advent program.

SE highlights queer artists working in the realm of Baroque opera, delving into how issues of representation, community, and queer love are reflected in the plots and vocal writing of 17th and 18th century works for the stage.

Guest Curator Jean Bernard Cerin traces the history of the Haitian Creole song “Lisette quitté la plaine” and explores how its meaning is transformed by different musical communities as it travels around the globe, becoming a lens through which we can explore the dynamic, fraught history of Haiti and its occupiers.

SalonEra partners with GRAMMY-nominated tenor Nicholas Phan to probe the question “Is Bach’s music for everyone?” Drawing on tenor arias and interviews captured for Phan’s BACH 52 project, Nicholas, Debra Nagy, and a range of community members reckon with the complex social history of Bach’s music as well as its enduring resonance in their lives.

In this episode, SE favorite Karin Cuellar-Rendon and the Ximenez Quartet trace the early nationbuilding efforts of 19th-century Latin American composers Pedro Ximénez Abril Tirado (Bolivia-Peru), José Bernardo Alzedo (Chile), and Chiquinha Gonzaga (Brazil) who integrated elements of the European classical tradition with local musical genres.