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How did Medieval artists get exposed to new music, pick up new skills or instruments, and develop their artistry? Guests Allison Monroe (Trobár) and Liza Malamut (Newberry Consort) share performances from a program that explored 14th and 15th century Medieval “Minstrel Schools,” where musicians from across Europe gathered to exchange ideas, repertoire, and more.
Debra Nagy, executive producer & host
Shelby Yamin, associate producer
Hannah De Priest, special projects manager
LD Artistic Director
Newberry Consort Artistic Director
Founder of Trobár
Read “The Minstrel School in the Late Middle Ages” by Rob C. Wegman
Read about the life of the Medieval Minstrel, care of the blog All Things Medieval
Read about the Medieval minstrels and their connection to the Medieval Church, care of blog Early Music Muse
Click to learn more about The Newberry Consort
Click to learn more about Trobár
Click to learn more about Piffaro, The Renaissance Band
Music from Llibre Vermell (ca. 1400-1425) E-MO MS 1
“Cuncti Simus”
“Mariam matrem”
“Estampie” after Clavus Pungens from the Roman de Fauvel (c.1316) F-Pnm Fr. 146/arr. Allison Monroe
“Retrove” from the Robertsbridge Codex (c.136) GB-Lbl Add. MS 28550
“Wach auff, mein hort” by Oswald von Wolkenstein from the Lochamer-Liederbuch
“En depist/Bevons ma commere” from the Bayeux Chansonnier (c. 1505-10) F-Pn:Lat. 9346
“Ho, ho, ho” from the NL-Lu Fragment B.P.L 2720
EPISODE SPONSOR
Arthur Rotatori
ARTIST SPONSORS
Sarah Steiner for Allison Monroe
SEASON UNDERWRITERS
Deborah Malamud
Tom & Marilyn McLaughlin
Greg Nosan & Brandon Ruud
